Where old-school witchery meets next-level storytelling focused on Agatha Harkness: an Agatha All Along Throwback Review

(L-R) Kathryn Hahn (Agatha Harkness) and Joe Locke Billy Maximoff) in Agatha All Along + logo | Image via: Marvel | Edited by: Beatrix Kondo of Soap Central
(L-R) Kathryn Hahn (Agatha Harkness) and Joe Locke Billy Maximoff) in Agatha All Along + logo | Image via: Marvel | Edited by: Beatrix Kondo of Soap Central

Word is, the witch Agatha Harkness is far from done. Even after this chaotic solo ride, Agatha’s presence isn’t fading. Not even as a ghost. Quite the opposite.

Multiple Marvel insiders have teased her return as a ghostly echo in upcoming storylines, and rumors suggest she may haunt the multiverse in future arcs. That solo comic? It hadn't existed until recently. But now? Agatha Harkness has her own title, her own lore, and nearly her own afterlife. Whether spectral or flesh and snark, Agatha Harkness is here to stay. In fiction and all over the internet recently.

Disclaimer: I tried to keep this review as spoiler-free as possible. But let's be real: a few magical details slipped through. Nothing too revealing, just enough to leave you curious. Maybe even craving a rewatch. Or three.


Witches never really die. They just wait for the perfect moment to rewrite the script

That’s exactly what Agatha does all along. A spin-off of WandaVision that could’ve easily been a cash-in becomes something else entirely. Agatha All Along is a high-octane blend of campy, chaotic, and unexpectedly layered exploration of grief, legacy, and feminine power, all wrapped in a velvety cloak of purple smoke and sarcasm.

It’s not trying to be the next big Marvel event. It’s trying to haunt you with something older, darker, and weirder. And it works. Or well, it was not. Seems like a big event now.


She wakes up naked, alone, and powerful. And that’s just the prologue

No fanfare. No soft re-entry. Agatha’s first scene in the series is raw. Stripped of her powers, stripped of everything, she wakes up in the woods, naked and forgotten. Like a fallen deity. Or maybe just a witch caught between lives. It’s not framed for shock value. It’s existential. She's not being reborn. She's being rewritten.

That’s what sets the tone. Agatha All Along isn’t afraid of discomfort. Of silence. Of the messy in-between where power is taken, not given. And from there, it builds a world where magic is sticky, songs are spells, and desire slips in like smoke through the cracks.


Agatha All Along: Coven-core meets MCU-core

A visually and storytelling spellbinding mashup, Agatha All Along is where gothic glamour crashes into superhero sheen. You’ve got crumbling mansions, spell circles glowing under fluorescent lights, and costumes that feel like they crawled out of a Broadway fever dream. The aesthetics are deliberately too much. And that’s the point. It’s witch camp, but with teeth.

But underneath the eyeliner and enchantments, the writing is sharper than expected. The series plays with structure, mythology, and tone like a witch stirring a chaotic potion. You think you know where it’s going, then it flips the cauldron.

Flashbacks? Check. Lore drops? Absolutely. Emotional gut-punches wrapped in glitter? Oh, yes. Agatha Harkness making you question your morals? Of course.

And the credits? A full-blown theatrical curse. Different openings for some episodes, chaotic elegance turns into visual poetry in the final credits. Flair, a lot of flair, glitter, and also the dark side, because let's be honest here: Nothing in life is black and white. And Agatha Harkness knows that better than most. We get more glimpses of how she suffered, too in the series. Not an excuse? Maybe. But she's not and never was your ordinary comic-book villain. No, not our Agatha Harkness. That's never been her all along.

And, well reminded by Neil Gaiman in the original graphic novel The Books of Magic, magic is not black or white. Without black magic and simplist ideas, and Agatha winks with a pinch of purple glitter.

Sometimes noir, sometimes cartoonish, sometimes just unhinged Broadway glam, but always irresistible. That's Agatha Harkness for you.


The queer subtext? It's NOT subtext. It’s nature. Now, canon.

Let’s talk about Rio. Their dynamic with Agatha is electric, yes, but it’s more than that. It’s intimacy without labeling. Queerness without unnecessary exposition. The show never pauses to explain what’s happening. It just lets the chemistry breathe. The way Agatha looks at her? The way Rio challenges her? It’s slow-burn. It’s natural. It’s magical.

There’s no need for rainbow neon signs when everything about Agatha’s power is already othered, coded, and reclaimed. The entire series hums with that energy. Not just in romance but in community, rebellion, and refusal to follow any path but your own.

And let’s not forget: Agatha’s coven isn’t just a narrative tool. It’s a living archive of women and witches who’ve been dismissed, disarmed, or damned. Watching them circle back into each other’s lives feels like resistance wrapped in silk. Like chosen family conjured out of pain and spark.


Agatha Harkness: The witch is back, and she brought the future with her

This isn’t just a nostalgic detour. Agatha All Along sets the stage for what could be Marvel’s next wave of magical storytelling. And unlike past phases obsessed with order and heroism, this one’s drenched in uncertainty, queer energy, and narrative instability. Thank the goddess.

Because magic, here, isn’t a power-up. It’s a curse. A gift. A question. And Agatha doesn’t have the answers. She just has the audacity to keep casting spells anyway. And making questions that matter.

So, if you came looking for clean arcs and resolution, you might walk away hexed and confused. But if you came looking for chaos, for femininity unfiltered, for a story that refuses to behave, welcome to the coven.

Witch’s Rating: 5 out of 5 enchanted eyeballs out of 10. Slightly cracked, still glowing though.

If you feel seen, unsettled, or just a little bewitched, it’s working.

Agatha’s story isn’t over. Not even close. She's not your typical hero. She's not your final boss.

She’s the curse you never really wanted to lift.

Ps.: And, no, I did not forget Billy Kaplan, aka Billy Maximoff, aka Wiccan. But this is a review of the series, and I've tried to keep it as much spoiler-free as possible. He'll have a well-deserved feature in the near future. Come back to Soap Central to check on that and other good stuff. I hereby solemnly swear good things will keep coming.

Edited by Sohini Biswas
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