Mobland soundtrack guide: Every song featured in the Guy Ritchie series

The soundtrack of MobLand, a series released in 2025 on Paramount+ and directed by Guy Ritchie, is almost a character in itself. With its blend of rock, punk, hip-hop, and melodic introspection, the music fills in the gaps between words, reinforces uncomfortable silences, and adds weight to plot twists, all stamped with the stylish flair Ritchie has delivered since Snatch and RocknRolla.

Originally composed by Matt Bellamy (Muse) and Ilan Eshkeri, the instrumental score swings between dramatic strings and electronic beats, shifting from the sophisticated to the savage. But it’s the vocal tracks, the non-instrumental ones, that linger in memory. These are the songs that carry the emotional subtext, highlight the tempo of each confrontation, and build bridges between characters and viewers.

Each track seems to have been carefully selected not just for tone, but for narrative texture. Some choices elevate adrenaline-fueled scenes with their raw energy, while others quietly underscore solitude, regret, or quiet rage. It’s the kind of soundtrack that doesn’t just complement the action, it deepens it.

Below, we’ve compiled each of these songs episode by episode, highlighting when they appear and how they help shape the show’s mood, all spoiler-free, of course.

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Episode 1 – Stick or twist

Starburster – Fontaines D.C.

The track that opens and closes every episode hits hard with poetic noise. Sharp guitars, urgent vocals, and an atmosphere mixing restrained anger with modern angst. A bold choice to define the tone from the very start.

Highlight: The song doesn’t just set the rhythm, it breathes alongside the characters: raw, restless, alive.

Deeper Underground – Jamiroquai & Don Diablo

Heard in one of the opening club scenes, this track’s groovy electronic vibe gives a false sense of normalcy right before things begin to unravel.

Fun fact: This is a darker, more danceable remix of Jamiroquai’s classic hit.

Firestarter – The Prodigy

When tension peaks, this song hits like it was made for the moment. The Prodigy’s explosive energy turns the scene into something like almost choreographed chaos and fury taking over the screen.

Feeling: You feel the floor shake even from your couch.

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Episode 2 – Jigsaw puzzle

Wonderland – Reem

In a vibrant social scene, this R&B/pop track floats in with almost illusory lightness. Smooth beats and dreamy vocals add charm to a moment where tension hasn’t yet surfaced, but it’s lurking.

Impression: Everything seems calm, but the music hints that not all that glitters can be trusted.

Bad Energy – Reem

In a heavier scene, this track slips in almost like an omen. Dense beats and a darker tone shift the atmosphere.

Note: The transition from "Wonderland" to "Bad Energy" showcases the soundtrack as an emotional compass.

POP POP POP – IDLES (feat. Danny Brown)

In the final third of the episode, the action escalates, and this track hits full force. Gritty punk, fierce rhymes, raw energy. The music doesn’t follow the scene: it drives it.

Highlight: Guy Ritchie uses music here like a narrative punch. It’s the kind of scene that makes you hold your breath.

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Episode 3 – Plan B

"Do I Wanna Know?" – Arctic Monkeys

Right at the start, this song fits like a glove. Slow, sultry, and loaded with melancholy, it echoes the scene’s introspective tone.

Mood: It’s not about what’s said, but what remains unspoken. The music fills those silences.

Get Away – Tony K

The beat kicks in as the story’s pace picks up. Perfect for chase or strategy scenes, it adds momentum without feeling forced.

Feeling: That modern urgency where every second counts, and the sound pushes your pulse.

Victory – Tony K

Toward the end, this track signals a turning point. It could be celebration, but there's a bittersweet note.

Highlight: Tony K’s recurring presence reinforces the soundtrack’s emotional signature.

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Episode 4 – Rat trap

Lead the Way – Reem

Early in the episode, this track scores a strategic movement. Its steady rhythm matches someone taking bold steps into unknown territory.

Feeling: A beat marking the steps of someone stepping forward, uncertain but determined.

Lie – Reem

In a tense, intimate conversation, this song adds extra meaning. The title alone sets the mood.

Note: Reem continues to shape the show’s emotional undercurrents.

Hayloft – Mother Mother

At the episode’s climax, the energy erupts. Sharp guitars and frantic vocals fuel the tension.

Highlight: A bold sonic choice that heightens discomfort without a single word.

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Episode 5 – Funeral for a friend

Villain – Tony K & Reem

Early on, this song plays from a morally gray perspective. Dark beats and tense vocals suggest we’re seeing through the eyes of someone lurking in the shadows.

Feeling: The music doesn’t scream villain, it invites you into his world.

Trips – Reem

During a preparation montage, this track gives rhythm to calculated moves. Every step feels choreographed.

Highlight: Reem’s voice keeps reinforcing the link between music and intention.

Broken Man – St. Vincent

Near the end, this track comes in as a quiet emotional wound. St. Vincent’s raw vocals and delicate arrangement reveal fragility.

Impression: It doesn’t close with strength, it closes with something left open and aching.

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Episodes 6 –10: Final songs and highlights

Unlike the earlier episodes, where vocal tracks are prominent and constant, the second half of MobLand takes a quieter turn. The narrative dives deeper into emotional territory, and Bellamy and Eshkeri’s original score takes center stage. Vocal songs become rare, but highly symbolic when they do appear.

Dark Matter – Pearl Jam

Appears at a pivotal moment, weighted with finality. It carries emotional depth and closes a chapter without needing literal closure.

Feeling: A track to tie together loss, choices, and unspoken truths.

Sympathy for the Devil – The Rolling Stones (official trailer)

Used in the trailer, not in the episodes, but it helps establish the stylized, morally complex tone of MobLand.

Fun fact: A perfect musical match for the charm of danger.

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Highlights and fun facts

Reem and Tony K’s frequent appearances form an emotional backbone throughout the series, giving voice to tension, doubt, and drive.

Starburster as a recurring theme bookends every episode, gaining new meaning as the story deepens.

Bellamy and Eshkeri’s original score blends luxury and decay, strings and electronics, echoing both the grandeur of the Harrigans and the gritty backstreets where deals are made and undone.

Fan playlists popped up quickly on Spotify (MobLand Paramount Soundtrack) and YouTube (Songs That Set the Tone for Guy Ritchie’s Crime Drama), showing how the soundtrack resonated just as much as the plot.

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Conclusion

In MobLand, the soundtrack isn’t just background noise, it’s an active force in the storytelling. Guy Ritchie proves once again he knows how to use music like a camera lens or a silent line of dialogue. Whether through pounding punk, brooding beats, or melodic introspection, every track tells a side story. And by the end of the season, what stays with you isn’t just the plot, it’s the sound that lingers after the shot, the glance, or the unspoken word.

If anything, MobLand stands out not just for its gritty storytelling and stylish cinematography, but for how deeply music is woven into its DNA. It's a reminder that when sound meets vision with this level of intentionality, what we get isn't just television, it’s atmosphere, memory, and mood, sealed in melody.