Daredevil: Born Again, episode 5: Where Daredevil and Reservoir Dogs collide

Daredevil: Born Again Season 1 reaches its interlude. Episode 5, With Interest, isn’t just a filler between arcs. It’s noir fan service with Tarantino flavor, a pinch of Ocean’s Eleven, and a multiversal teaser thrown in your face with a very suspicious orange stone. But more than anything, it’s where Daredevil meets Reservoir Dogs—dark suits, sharp sticks, and a sixth sense for chaos.

The heist unfolds on St. Patrick’s Day, and the chaos is dressed in color. The robbers are introduced not by name but by hue: Red, Blue, Yellow, and Purple. These aren’t just fashion choices—they’re codified identities, delivered straight through the closed captions. Color becomes character. And if that sounds familiar, it’s because it is. Quentin Tarantino’s Reservoir Dogs did the same thing, turning criminals into color-coded archetypes.

[I drew the Reservoir Dogs characters in the colors they represent.

And red with a narrative meaning.

Mr. Blonde—red shows what’s offscreen.

In Mr. Orange, it’s his agony.

Mr. White—spotless, but with a broken heart.

Mr. Pink—no blood, just a lit cigarette.]

Except here, the setting isn’t a warehouse. It’s a bank in Hell’s Kitchen. And instead of Mr. White bleeding out on a floor, we have Matt Murdock calmly walking in with a smile and a whistle.

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Daredevil: Born Again starring: A color-coded heist with blood on the edges

The masks in Daredevil: Born Again aren’t just for anonymity—they’re a statement. They call back to Reservoir Dogs, sure, but they also paint the scene in a kind of comic book surrealism. These aren't nameless robbers. They’re avatars of violence, chaos, and capitalist desperation. And then comes Green.

Unlike the others, the man in the green mask doesn’t get a codename. He gets a name: Devlin. In the closed captions, while the others are [Red], [Yellow], [Blue], and [Purple], he’s [Devlin]—a sign of leadership, perhaps, or just familiarity. Either way, it breaks the code. Devlin isn’t faceless. He’s traceable. And he’s answering to someone higher.

As the heist escalates, we’re left to watch the mechanics of fear at play. Civilians are forced to the ground. Guns are waved. Threats fly. But this isn’t a Michael Bay shootout. It’s closer to Reservoir Dogs in its slow-burning tension, its theatricality. Every gesture feels rehearsed. Every beat lands with weight. And in the middle of all of it stands Matt Murdock—blind, but seeing everything.

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Matt Murdock walks into a Tarantinesque version of Daredevil: Born Again

There’s a moment where a gunman mocks Matt (More than one, actually, A lot of them).

“We have a blind man, do we have a deaf one as well?”

It’s crude, but it sets up one of the best punchlines in the series so far. Matt answers with quiet force:

“Just 'cause I'm blind doesn't mean I need your pity.”

And he means it. Throughout the fifth episode of Daredevil: Born Again, Matt operates like a conductor in a symphony of chaos. He doesn’t flinch when guns are drawn. He doesn’t hesitate when voices are raised. In fact, he seems to thrive in the noise. That’s what makes this Daredevil different. He’s not lurking in the shadows anymore. He’s right in the middle of the action—and enjoying it.

He enters the bank alone, unarmed, and seemingly unaware. But every step is calculated. Every response is deliberate. When the time comes, he doesn’t strike with brute force. He manipulates, observes, and adapts. It’s the courtroom skills applied to a battlefield. And the battlefield just happens to look like something out of a Tarantino script.

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Reservoir Dogs meets Hell’s Kitchen in Daredevil Born Again: A homage with bite

There’s something beautifully ironic about Daredevil paying tribute to Reservoir Dogs. Both stories deal with trust, betrayal, and the masks we wear—literally and metaphorically. But while Tarantino’s characters spiral into paranoia and bloodshed, Daredevil: Born Again gives us a controlled chaos, anchored by a protagonist who already knows how the story ends.

Devlin and his team aren’t just crooks. They’re pieces on a board. And Matt? He’s already read the playbook. That’s what makes the episode so satisfying. It doesn’t just borrow Tarantino’s style—it uses it to say something about Daredevil himself. About how control can come from silence. How justice doesn’t always wear red leather.

And, by the end of this interlude in Season 1 of Daredevil: Born Again, when the dust settles, there’s no Mr. Orange bleeding on the floor. There’s Matt Murdock, calm as ever, walking away from a heist gone sideways with the kind of grin that says he saw it all coming.

No names. Just colors. One blind man in control of it all.

Daredevil: Born Again, episode 5, isn’t just stylish. It’s sharp, ironic, and bold enough to play with legacy while carving its own. Quentin would be proud.