Daredevil: Born Again - Episode 2 - Optics Review: Perception is power, and Fisk is winning the game. For now.

Part of the poster for Daredevil Born Again | Source: The Walt Disney Company
Part of the poster for Daredevil Born Again | Source: The Walt Disney Company

"I drink and I know things." Never has Tyrion Lannister’s (in)famous line felt more fitting than for Matt Murdock in Daredevil: Born Again. While the rest of the world is either celebrating or dreading Wilson Fisk’s rise to power, Matt is sitting in the dark, drinking wine and piecing together a game board he already knows has been rigged.


Daredevil: Born Again: Where the line between justice and vengeance is razor-thin

Daredevil: Born Again's Episode 2, Optics, doesn’t waste time with introductions. We’re thrown straight into the chaos. Matt is exactly where we expected him to be, drowning in it. If last episode left a man at death’s door, the real question now is what still separates Matt from the Punisher.

And Fisk? He knows exactly what he’s doing. His speech isn’t just about the Punisher.

"We don’t need a gun-toting vigilante who wears a skull on his chest. Or a man who dresses in a spider outfit. Or a guy who wears devil horns to save us. No."

He’s playing the long game, turning public perception (optics) against heroes who don’t fall in line.

It’s the same playbook that has been used against mutants for decades. The X-Men have seen it all before. Fearmongering, dehumanization, and a slow push toward outright persecution. First, they are called reckless. Then, criminals. Eventually, the world decides it is safer if they just don’t exist.

Fisk isn’t just securing power for himself. He is setting the stage for a world where heroes are hunted, controlled, or erased altogether.


A new hero, a tragic mistake

The NYPD is already operating in the shadows, attacking someone as if they’re common criminals rather than law enforcement. Then, out of nowhere, a man steps in.

No mask, no grand entrance, just instinct. He sees two men assaulting another, their aggression unmistakable, so he does what feels right—he intervenes. He’s fast, skilled, clearly trained, but there’s one crucial detail he doesn’t know. These aren’t just some guys shaking down a victim. They’re cops.

The fight escalates fast, and before anyone can regain control, one of them goes over the edge, his body vanishing just as a train rushes by.

This man is later revealed to be Hector Ayala, better known as White Tiger. When Matt visits him at the station, his name is finally spoken out loud, confirming his identity. This moment is brutal, but more than that, it’s complicated.

Daredevil: Born Again isn’t interested in clear-cut heroics. The so-called good guys are moving in the dark, acting more like a gang than officers of the law, which makes their NYPD, do not move command feel empty.

Meanwhile, Hector wasn’t trying to kill anyone. He thought he was stopping a crime, but what happens when justice gets messy? When the line between right and wrong isn’t just blurred—it’s erased?

The way this scene is shot makes it even more striking. The chaos of the fight, the deafening roar of the train, and then, in an instant, stillness. A moment of realization, too late to change anything.

Actors Kamar de los Reyes (on the left) and Sherri Saum (on the right) attend the Love First benefit for Kusewera on March 05, 2020 in Los Angeles, California. - Source: Getty
Actors Kamar de los Reyes (on the left) and Sherri Saum (on the right) attend the Love First benefit for Kusewera on March 05, 2020 in Los Angeles, California. - Source: Getty

BB vs. Fisk: The weight of silent defiance

BB stands before Wilson Fisk, no microphone, no buffer, just her and the man who murdered her uncle. To the outside world, this is just another moment in Fisk’s carefully crafted redemption tour. But for her, it’s personal.

Years ago, Ben Urich did what he did best—he followed the truth. He uncovered too much, got too close, and paid the price. Fisk strangled him with his own hands, silencing one of the few voices willing to stand against him. And now, in a cruel twist of fate, BB is the one covering his return, watching him bask in the spotlight, rewriting history in real time.

For five minutes, she has him.

Five minutes to look into the eyes of the man who stole a piece of her life.

Five minutes to ask the questions her uncle never got to finish.

But this isn’t just a confrontation. It’s a game of survival. BB can’t let Fisk see the truth in her eyes, can’t let him sense the hatred simmering beneath the surface. She has to play along, nodding, listening, pretending.

The cameras won’t capture what this moment really means, and Fisk, ever the master manipulator, will act like it’s just another interview. But BB knows. And that silent, unshakable truth is what makes her stand her ground.


Optics: When perception is stronger than truth

As Optics unfolds, the pace slows, but the weight of every moment only deepens. This isn’t the relentless gut-punch of episode one, but it doesn’t need to be. Every detail, every line, from the Commissioner calling Fisk Kingpin—branding him a monster trying to rewrite his history—to the political maneuvering happening in the background, adds to the slow burn that never actually slows down.

For longtime fans, every second is loaded with meaning. But for those diving into Daredevil: Born Again without the context of the Netflix series, the MCU’s Civil War, and the years of history leading up to this moment, some of these layers might be slipping through the cracks.

There’s so much more to break down, but for now, this is where we pause. If you’re watching Daredevil: Born Again (with or without previous knowledge of the MCU's lore), it’s time to dig deeper, because this world—its politics, its conflicts, its ghosts—is only getting started.

P.S.: Hold on your breath until the very final moments. Then you’ll have the very full action sequence we’ve all been waiting for.

5 out of 5 stars.

Rating with a touch of flair: 5 out of 5 screams of rage.

Edited by Sezal Srivastava
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