6. Salò, or the 120 Days of Sodom
![Salò, or the 120 Days of Sodom | Image Source: Prime Video (Metro-Goldwyn-Mayer, United Artists)](https://static.soapcentral.com/editor/2024/10/ef979-17297046538807.jpg?w=190 190w, https://static.soapcentral.com/editor/2024/10/ef979-17297046538807.jpg?w=720 720w, https://static.soapcentral.com/editor/2024/10/ef979-17297046538807.jpg?w=640 640w, https://static.soapcentral.com/editor/2024/10/ef979-17297046538807.jpg?w=1045 1045w, https://static.soapcentral.com/editor/2024/10/ef979-17297046538807.jpg?w=1200 1200w, https://static.soapcentral.com/editor/2024/10/ef979-17297046538807.jpg?w=1460 1460w, https://static.soapcentral.com/editor/2024/10/ef979-17297046538807.jpg?w=1600 1600w, https://static.soapcentral.com/editor/2024/10/ef979-17297046538807.jpg 1920w)
One of the most reprehensible films in world cinematic history, Salò, or the 120 Days of Sodom, sets boundaries related to representation and morality, creating a brutal satire of fascism and consumerism. In showing its public characters struggling with issues of power and sexual exploitation, the movie explores themes of power, corruption, and the degradation of human morality. The film is often seen as a testament to the human capacity for cruelty and an indictment of the abuse of power.
Edited by Sarah Nazamuddin Harniswala
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