9) Rashomon
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Akira Kurosawa's Rashomon shows how truth and memory are subjective. The narrative features several witnesses narrating the same crime in different words, raising questions about human perspectives and nature. Non-linear storytelling and contrasts of perspectives were innovative for the time it came out. Rashomon brought to the fore the aspect of moral ambiguity that lies within human behavior.
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Edited by Apoorva Jujjavarapu
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