'%20x='0'%20y='0'%20height='100%25'%20width='100%25'%20%0A%20%20%20%20%20%20%20%20%20%20xlink%3Ahref='data:image/jpg;base64,/9j/2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj/2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj/wAARCAAFAAoDASIAAhEBAxEB/8QAFgABAQEAAAAAAAAAAAAAAAAAAAUG/8QAIRAAAgEDAwUAAAAAAAAAAAAAAQIDAAQFERIhBhQWUdH/xAAVAQEBAAAAAAAAAAAAAAAAAAACBP/EABsRAQACAgMAAAAAAAAAAAAAAAEAAgMRIUHB/9oADAMBAAIRAxEAPwCZnusM/ncevfXkBeWdbc7bcKgV0bU7QdCQVBBOtZHxOYcDKvx7hX7SlCuW4unvwk2ReJ//2Q=='%3E%3C/image%3E%3C/svg%3E)
18) The Third Man (1949) – Vienna, Austria
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Vienna in The Third Man becomes a haunting character shaped by its post-war history. The shadowy streets and ruins reflect the moral ambiguity of the film’s characters. The sewer chase scene, set in Vienna’s underground, showcases the city’s divided and fractured state. The Ferris wheel serves as a symbolic vantage point for power and detachment. Vienna’s crumbling beauty amplifies the tension, making it central to the film’s exploration of betrayal, survival, and shifting allegiances in a war-torn world.
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Edited by Anshika Jain
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