'%20x='0'%20y='0'%20height='100%25'%20width='100%25'%20%0A%20%20%20%20%20%20%20%20%20%20xlink%3Ahref='data:image/jpg;base64,/9j/2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj/2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj/wAARCAAGAAoDASIAAhEBAxEB/8QAFQABAQAAAAAAAAAAAAAAAAAAAAf/xAAgEAABAgYDAQAAAAAAAAAAAAACAQMABAYREyEFEhVC/8QAFAEBAAAAAAAAAAAAAAAAAAAABP/EABkRAAMBAQEAAAAAAAAAAAAAAAECAwARMf/aAAwDAQACEQMRAD8Amk1zI05yhea2jT7l5ps8QFh79hJB1u6a3eDVUVEy2DTU0xjBEEbgKLZNJ8whA2q6ngOQsZn0b//Z'%3E%3C/image%3E%3C/svg%3E)
8. The Spirit (2008)
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This is Frank Miller’s noir fever dream, dripping with so much style it forgets to add substance. The visuals are a dizzying blend of black-and-white with splashes of red like a comic book spilled onto the screen. The dialogue is so melodramatic it could rival a soap opera, and the plot twists veer into the absurd faster than the titular hero sprints across rooftops. Yet, its over-the-top campiness and unapologetic theatrics make it a bizarrely entertaining ride through superhero absurdity.
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Edited by Zainab Shaikh
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